the man, who realised that he was not fat on May 5th 1994, and to celebrate, made a striptease, and once he finished, feeling naked, while collecting his rags, he felt like he was a Venus , 2009, video 4:3, 10’22” (watch)
i need to remember (project that helps me to remember, because sometimes I feel an incredible force for good that tells me that I must not fear, and I understand when I see a plastic bag dancing in the wind, but after a few seconds, I realize how complex our cardiovascular system is, or that it is very important to have a shelter over his head, but always well-ventilated, 2010, drawings, plastic and pictures framed, 26×18,5 cm
Delay, response to a question from Mario Merz, sent by postal telegram to his daughter Beatrice, 2011, receipt of the telegram, inkjet print on paper, 21×29.7 cm
i need to remember (installation that helps me to remember, because sometimes I feel an incredible force for good that tells me that I must not fear, and I understand when I see a plastic bag dancing in the wind, but after a few seconds, I realize how complex our cardiovascular system is, or that it is very important to have a shelter over his head, but always well-ventilated, 2017, plastic bag and fans, variable dimensions
job office v.s. Brillo, project to understand something about the difference between a real job and make art, 2010, drawings, and pictures framed, 40x25cm
once we were children, 2011, 16:9 Dvd video/stereo, stills from video, video loop installation
one and three, one and three chairs with expansion possibility, 2012, installation project, riproduction of Joseph Kosuth’s “one and three chairs”, photograph and enlarged art work statement, variable dimensions
project to keep back a table in “Poor Art”, and/or to keep back opening a Sol LeWitt’s incomplete open cube, 2010, pencil drawing on paper and photographies framed, 23x30cm
Rue Gentil-Bernard in Fontenay-aux-Roses, some seconds before the Yves Klein’s “Leap into the void”, 2010, digital print on photograph paper, 20×26,5cm
Only the Venus’ rags, 2010, digital print on photograph paper, 20×25,5 cm
me as Opalka but cheating , 2021, 6 framed lambda-print photographs, 30×45 cm each one
Lüthi smiles for you too, 2021, lambda-print photographs, 100×100 cm
Contemporay Art VS IKEA (how to make a Sol LeWitt’s open white incomplete cube with two IKEA’s small table), 2010, 8 table lags, of two little IKEA table from Lack series, insulator tape, framed instructions, (cube) 50x50x50 cm/ 85,5×46,5 cm
New old economy VS Felix Gonzalez Torres (some change is not a solution, but only a placebo), 2011, 30.435 one cent coins or 70Kg, variable dimension
AAA-AAA (LESS) Project, (cutting the Marina and Ulay’s screams to put them in a shape that is the negative of their profiles)
AAA-AAA less, 2014, Dvd video, 1 ‘ 11” (watch)
Marina is a Good Target Because Ulay was a Bad Archer, 2014, inkjet print on paper, 100×70 cm
transformation of a broom into a spear but also the Kunst Sabotage, 2014, inkjet print on paper, 100×70 cm
Kunst Sabotage, 2014, Dvd video, 3 ‘ 07” (watch)
The Physical Impossibility of Death in the Mind of Someone who is Dying (or Diving) but doesn’t know it, 2015, inkjet print on paper, 100×70 cm
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